The garamut, a big, slit drum from Papua New Guinea, is carved out of ironwood, makes a wonderful deep sound that carries well through the jungle; for this reason, it was traditionally used to send messages from village to village. Each person had a beat that signified his name; other beats indicated a death, war, or “your wife wants you home.” Mobile phone coverage has replaced the garamut messaging service; however, communities still value them for their cultural significance.
The Gáta Béra, aka the Kandyan Drum, is a double-headed, barrel-shaped drum, used to accompany dances in the hill country tradition. Known as the wedding drum, it is usually about two feet long and made of wood, with cow skin tied to one end and monkey skin on the other. This drum, which tapers towards the ends, is played by hand and tightened at the sides with strings of deer skin.
A new drum was created in 2000 by Sri Lankan musician Kalasoori Piyasāra Shilpadhipathi. Referred to as the Gaŭla, this barrel-shaped instrument contains one head from the Gáta Béra, and one from the Daŭla. A set of rudiments (practice rhythms) were also created to accommodate the instrument's unique tone.
Gyobanggo, used in wind
instrument ensemble and royal court dancing, was struck as four men carried it
on long poles. Today it is used in drum dancing and folk dancing. It is essentially a flat drum suspended in a frame.
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